This list of Silk Painting Techniques continues to grow!
As more and more people start silk painting, they experiment, try traditional techniques, and some even branch out and create their own new techniques — it’s an exciting world we live in 🙂
- Cold Wax
- Resist / Gutta (gum-based outliner)
- Water-based outliner
- more to be added soon!
I’m looking forward to talking more about each of these techniques in the coming weeks, with some videos showing how I do some of them. Stay tuned!
The first Silk Painting technique I learned in Paris
When I first learned how to paint on silk (peinture sur soie), the only technique I was taught was the Resist Technique. I was studying silk painting in Paris, France, and all the words relating to this amazing art form were French. This means that instead of “resist”, the word I learned was “gutta“, which is pronounded as “gootah”.
I thoroughly enjoyed learning how to paint on silk in a little Parisian Studio (atelier), and all my artistic skills finally had a place to call home. I felt like I’d been waiting to find silk painting all my life 🙂
Where did my French Silk Dyes come from in Paris?
Learning to speak French whilst learning to paint on silk was fabulous — going to the little store where the silk dyes were made was such a treat! Monsieur Cedille was a delightful man, always wore a soft grey coat (to avoid his clothes getting splashed or dirty, I’m sure), with a large bushy moustache and twinkling, friendly eyes. I loved poring over the colour charts and learning new colours in French
Although he closed down his business many years ago, I still think of Mr Cedille and my introduction to French steam-set Silk Dyes.
Did I have a Parisian “Hem Fairy” for my silk scarves?
Speaking of “steam-set”, that brings back memories of another delightful part of being a silk artist in Paris (or all of France, for that matter, way back then). After the silk pieces were made colourfast, I had to make a small parcel and wrap in paper, before making a visit to the lovely little old lady who was a well-known seamstress in the silk painting world in Paris.
This wonderful lady (whose name I’ve forgotten, unfortunately) would accept the package, sew the beautiful hand-rolled hems on the silk scarves, and attach the label (l’etiquette). All I had to do was collect them several days later.
Those early days in Paris and the learning French and all about silk was an amazing experience and formed the start of an amazing career over the past few decades. Every day when I walk into my sun-filled Studio with a steaming cup of coffee, I put on one of my French music CDs, practice 5 minutes of French language practice
I then take a deep breath as I let my eyes move slowly around the Studio filled with colour and art tools, my hand-painted silk hanging up, and give thanks to the incredible life I’ve had so far which I attribute to my silk painting.
Ahhh, la vie est belle!
Life is beautiful!
A brief overview of what I learned in Paris
As part of my learning, I studied the following:
- the different types of silk, and the way the silk dyes flow on each type of silk
- attaching the silk to a wooden frame with Picot edges (fine point razor-sharp pins)
- understanding the use of gutta and squeeze bottles, and the importance of gutta-application
- how to prepare the silk for the steaming machine
- the technical details of silk steaming
- removing the silk from the steamer
- washing and care of the silk after steaming.
How did YOU start learning to paint on silk?
I’d love to know!
Did you enjoy my List of Silk Painting Techniques?
I hope so!
My NEXT email will be announcing the LAUNCH DATE of the Silk Painting Dictionary when it goes LIVE online — woohoo!
Have a gorgeous day wherever you are!
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